Tag Archives: Michael Hardt

History in RealTime: @tedfriedman on 2/11/11 (in chronological order)

 

 

Salma Abdelaziz
In an incredibly tense moment Egyptians use their famous humor to lighten the mood and find out
Liz McLellan
RT @: RT @ If somebody can find a shirtless pic of Mubarak on Cairo Craigslist this thing will end peacefully today
mattyglesias
Mubarak really looks great for his age. He could probably make a bundle selling lifestyle advice books.
Josh Marshall
weird 2 see how prominent leader of national uprising in ME country has active twitter account @
Wyclef Jean
If u on the streets of Egypt tweet me!! Imma retweet the movement on the ground!!!
monasosh
The least the world could do for Egyptians now is allow us free entrance to any country wtout the burden of applying for a visa 😀
Liz McLellan
RT @: Uninstalling dictator COMPLETE – installing now: egypt 2.0: █░░░░░░░░░░░░░░░░░░
monasosh
Unbelievable the metro driver is cheering wt the horn, ppl are dancing & screaming in the metro station
pourmecoffee
Perhaps what people of Egypt did will give courage to Katie Holmes.
Salma Abdelaziz
BREAKING: Switzerland freezes suspected Mubarak Financial Assets
monasosh
For everyone taking the metro home, mark out “mubarak” from metrostations plan & replace it wt “martyrs”
walter kirn
Now Egypt has done for modern civilization what it did for ancient civ. I’m calling this Osiris Friday.
the sad red earth
RT @: Photos: Celebration in After Mubarak Steps Down //Historic images.
Andy Carvin
RT @: this is most euphoric young crowd I have seen sinced overthrow of CeauÅŸescu during 1989 Romanian Revolution
Roger Ebert
A letter to Egypt from a Filipino: Learn from us, and do better.
Heide Kolb
: People helping in the midst of a crisis- how you can help via @: @
Frank Conniff
What kind of crazy foreign policy allows a dictator to be deposed without a long & costly war? Get it together, Obama!
Ana Marie Cox
Paul applause line: “We need to do a lot less a lot sooner, not only in Egypt but around the world.”
Wyclef Jean
The movement!! Let’s go!!! RT @: @ PROUD TO BE EGYPTIAN!!! The streets are ALIVE with freedom!!!
Heide Kolb
R @: @ protesters under attack! Police use live ammo on demonstrators NOW. Please RT!
I wish I could somehow save all of the tweets I sent and received the past weeks. This is my diary
What can we all do to make help sure they’re archived? RT @ I wish I could somehow save all of the tweets I sent and received..
tedfriedman
Students & scholars: this is history happening right now. Twitter didn’t cause this, but it’s part of a positive feedback loop. Take notes!
tedfriedman
If one was going to pick the medium with the most influence on , wonder if it would be SMS, web or satellite TV?
tedfriedman
My guess would be the most influential medium helping to create #Egypt #Jan25 has been satellite TV – specifically Al Jazeera.
Noel Kirkpatrick
noelrk Noel Kirkpatrick
But it all started with the telegraph.
So if Al Jazeera is the NGO which has done the most to make possible, credit not just the medium of sat TV, but the journalists.
Lakshmi Jagad
lockslocks Lakshmi Jagad
Agree.
Likewise, to the extent Twitter has helped accomplish this (hard to judge in the moment), credit not the medium in itself, but the tweeters.
This is where I part ways with Object Oriented Ontology – I always want to look back to the human roots. Who’s karma’s on the line?
Andy Carvin
I’ve tweeted more than 600 times today. And yet people keep following me. What is wrong with you people?!? 🙂

Centaur Manifesto

I’m writing a book about centaurs and cyborgs – about trying to bring together mythos and logos, magic and science, Carl Jung and Karl Marx, Maria Von Franz and Fredric Jameson. I’m podcasting the book via my lectures on Tedcast. I’m tweeting the book via the #centaur hashtag. And I’m blogging the book here.

The book expands my work on politics, myth, fantasy, and the ideas of Karl Marx and Carl Jung. Theoretically, it’s a marriage of post-Marxist critical theory with post-Jungian depth psychology. My hope is the combination will prove, if not a dialectical synthesis, perhaps an alchemical reaction – what Jung calls syzygy, the marriage of opposites.

Jung like Marx began as a Hegelian. Alchemy is Jung’s own revision of Hegel’s dialectic, just as deconstruction is for Derrida. The Buddhist version is my personal favorite: the middle way. Which leads to emptiness, no-self, nirvana. And as Jack Kornfield puts it, After the Ecstasy, the Laundry.

The book began as a series of essays in the media studies journals Flow and Scope in 2009 on Jungian approaches to cultural studies:

My most recent work has been on games as forms of active imagination. Here’s a short slideshow I made about the social game Farmville and active imagination. It accompanied a piece I contributed to the digital humanities journal In Media Res, “Farmville: the Garden in the Machine.”

Here’s an interview I did with David Metcalfe, who runs the wonderfulOpenMythSource.com. He also wrote a very thoughtful follow-up piece about my work, “Digital Gardening,” and republished “Myth, the Numinous & Cultural Studies.”

And here’s a talk I gave a couple of years ago about the politics of fantasy films.

A Centaur Manifesto (Updated)

I’m writing a book about centaurs and cyborgs, myth and history, magic and science, Maria Von Franz and Fredric Jameson, Michael Hardt and Antonio Negri. I’m podcasting the book via my lectures on Tedcast. I’m tweeting the book via the #centaur hashtag. And I’m blogging the book at my new website, CentaurManifesto.com. It should be live within the next day or two. You can get a preview at centaurmanifesto.wordpress.com.

The book expands my work on politics, myth, fantasy, and the ideas of Karl Marx and Carl Jung. Theoretically, it’s a marriage of post-Marxist critical theory with post-Jungian depth psychology. My hope is the combination will prove, if not a dialectical synthesis, perhaps an alchemical reaction – what Jung calls syzygy, the marriage of opposites.

Actually, Jung like Marx began as a Hegelian – alchemy is Jung’s own revision of Hegel’s dialectic, just as deconstruction is for Derrida. The Buddhist version is my personal favorite: the middle way. Which leads to emptiness, no-self, nirvana. And as Jack Kornfield puts it, After the Ecstasy, the Laundry

The book began as a series of columns in the media studies journal Flow, plus a longer essay in the film studies journal Scope. You can find links to all my recent writing here.

I’ve also been podcasting lectures from my two classes this semester, Fantasy & Science Fiction and Cultural Studies. Click here to subscribe to the podcast in iTunes, or here to stream and/or download individual episodes.

You can also follow me on Twitter by clicking here.

And Now a Word from Noisy (Updated)

Hi, I’m Noisy. Won’t you be my neighbor?

I’m the middle of Ted and Kate’s three cats. The newest is Pilot Squeaky, a three month old kitten. Congratulations to Rebecca Jackson, who won the #namethiskitty contest with the suggestion that we name Pilot after the gas station where Rebecca found her. Rebecca will soon be the proud owner of Kiki’s Delivery Service, plus a bonus Miyazaki DVD since she already has the second official prize, Ted’s book Electric Dreams.

I play Farmville and Frontierville every day. I give out lots of Mystery Gifts. Tell your friends about me, too, because I’m trying to build as big a network of neighbors as possible. It’s part of Ted’s research on social games. He’ll be writing about the experience in the upcoming In Media Res theme week on games. In Media Res is the online journal edited by Alisa Perren of the Georgia State University Program in Moving Image Studies. You can find it here.

Ted’s also curating pages for upcoming 2011-12 In Media Res weeks on Jung, Play, Pop Music, Heroes and Shadows. Ted’s looking for contributors to all weeks from inside and outside of academia. Rock critics, public intellectuals, grad students, filmmakers – please all consider joining in. It shouldn’t be too hard. Start by clicking here to find #IMR-hashtagged conversations. Reply to anybody, adding the #IMR hashtag to the end of your tweet so that your tweet can be found by everybody else. Add a second hashtag like #Jung or an address like @katyperry if it might help people find what you have to say.

Ted’s going to curate the feeds on specific topics, then turn them into the Friday roundtable pages for the IMR weeks he edits.

At least, that’s the concept – we’ll see if it works in practice. You can help in the following ways: – Become Facebook Friends with Ted Friedman and two of his cats: Pilot Squeaky and Noisy. The third cat, The Dude, doesn’t yet have a page – Facebook doesn’t approve of Firstname: The, Lastname: Dude. He may sit this out – he’s an introvert anyway.

– Become all of our Neighbors in both Farmville and Frontierville, if you play. If you don’t play, consider trying both.

– Contribute to <In Media Res conversations by going here and adding to the conversation, hashtagging your tweet by including #IMR in your 140 characters.

– Contact Ted Friedman to discuss curating a day or editing a week. You can tweet him @tedfriedman or send an email to ted@tedfriedman.com. The standard format for the weeks Ted edits will be: Mon – Intro by Ted. Tues – 2nd curator. Wed – 3rd curator. Thurs – 4th curator. Fri – 5th curator.

The idea is to hold this discussion in the Commons, in the sense developed by Michael Hardt and Antonio Negri in Commonweath. The Commons isn’t exactly public or private – it’s that Third Space that Jane Jacobs described in The Death and Life of American Cities. At its best, it can be a lot more than a Starbucks or mall food court. This will be the explicit subject of some of the discussions, and the implicit context of all of them. On Facebook, we will treat this private company’s network as a resource fairly purchased with our advertising eyeballs (and probably overpriced, given the data mining they do now do with your info). Same goes for our use of Google, which I assume none of us could do without.  And the publishing side of this venture is In Media Res, an online journal created by Avi Santo with the help of Media Commons.   That’s the concept. If all of you pitch in, we can make it happen.  So, won’t you be my neighbor?

Noisy